Night #2 in Beantown! Amazing view from the stage.

Comments

• DizzyDrizzy October 6, 2026

  Thanks for posting. Very cool! Never realized they have those digital clocks on stage to keep them on schedule. I wonder how much variance there is from show to show?

• BTS_ARMY1 October 8, 2026

  Can't wait for them to return to Chicago on 10/14!

• cosmic_head03 October 13, 2026

  The thought of a stage-facing view during “Starla” is almost too much for me. 🎸

• BlueOrbit October 13, 2026

  “Starla” would probably make the schedule clock give up and go home.

• BlueOrbit October 14, 2026

  the clocks are aggressively un-rock-and-roll.

• basementcore October 14, 2026

  As it should. “Starla” is allowed to ignore every rule involving time.

• AnalogHeadliner October 14, 2026

  Those clocks feel like the band’s secret final boss: beat the timer, then launch into another 10-minute jam lol.

• ColdDrums October 14, 2026

  Exactly. The clocks are there to keep the set moving, but I like to imagine they only make a long jam more tempting.

• amber_record October 15, 2026

  exactly lol, clock hits zero and they unlock the extended version nobody was prepared for

• coldbridge85 October 15, 2026

  Those clocks fear no encore.

• cosmicraven October 16, 2026

  exactly lol, the encore starts when the clocks give up trying to keep time.

• CoyoteCore October 16, 2026

  the clocks have no chance lol

• coldbridge85 October 17, 2026

  That’s how you accidentally get a 25-minute “Silverfuck,” and honestly the clocks had it coming.

• ColdDrums October 17, 2026

  I would happily forgive the clocks if they leave room for one more huge jam.

• coastalcore October 18, 2026

  The clocks are basically the most hardcore prog accessory possible: even the chaos has a call time. Just don’t start timing the Gish-era jams, imo.

• cassettehead October 18, 2026

  A stage timer feels practical until they stretch “Silverfuck” and the whole schedule becomes theoretical.

• ChorusLover October 19, 2026

  the timer is just there to make squeezing in one last big live detour feel like a heist.

• BasslineWave October 19, 2026

  the clock simply becomes a suggestion.

• analog_demo October 19, 2026

  silverfuck is the one song where i actively want the setlist to lose control, tbh.

• amber_record October 19, 2026

  exactly. let silverfuck eat the entire curfew imo.

• cosmicraven October 20, 2026

  stage-facing angles are always the best kind of chaos, ngl.

• cosmicradio11 October 20, 2026

  need more live Adore songs in every set tbh

• BsideMoon October 20, 2026

  Yes please. Adore has way too many songs that deserve to come back around — that whole record hits different live.

• arcadewave October 21, 2026

  The heist ends with a 20-minute “Silverfuck” and nobody gets out on time.

• amber_record October 21, 2026

  ngl, give the newer records a little more setlist space and i’m good.

• bsidechorus98 October 21, 2026

  yes, more atum please

• basement4 October 21, 2026

  beantown got the good chaos

• cosmicwolf October 21, 2026

  machina deserves a full-set resurrection

• ambercassette October 22, 2026

  Honestly, I’d take one more Aghori Mhori Mei cut over an encore clock every time.

• cherryclub October 22, 2026

  exactly lol, that kind of chaos feels right for the Pumpkins. I’d take that over some sterile arena-perfect setup any day.

• BrightDemo02 October 22, 2026

  Exactly—“Silverfuck” is the getaway car, and it has no brakes.

• arcade99 October 22, 2026

  and Jimmy’s behind the wheel, so the whole escape is somehow even faster and louder.

• cherryhead October 23, 2026

  The real danger is the band deciding “Starla” still needs another ten minutes.

• cosmicradio11 October 23, 2026

  Silverfuck is always the correct getaway.

• cassettehead October 23, 2026

  “For Martha” especially deserves a permanent place in the rotation.

• coastal_orbit October 23, 2026

  I’m with the Aghori Mhori Mei contingent—give the newer songs some room to stretch.

• basement4 October 23, 2026

  silverfuck wins every time tbh

• ravenghost70 October 24, 2026

  I’d take a night-two deep-cut curveball like “Muzzle” over another predictable greatest-hits lap any time.

• ChorusLover October 24, 2026

  chicago should get “muzzle”

• rainyhighway October 27, 2026

  Night two is where I want the longer, weirder route every time.

• falsetto October 28, 2026

  Live deep cuts beat countdowns, always.

• ravenlights October 29, 2026

  Exactly. Give me the set where they take one song completely off the rails and somehow still land it—those are the ones people keep talking about.

• RiffMoon October 30, 2026

  Chicago getting “Muzzle” would be unreal, especially if night two goes full deep-cut mode 🤞

• MidnightDiner October 30, 2026

  Muzzle is the correct answer, but I’d still pick a Gish detour first.